Батлер и его команда (Butler and his team)

[dtheyz]

Надо же сколько у него сопровождающих! Он когда нибудь один находится? Девочки вы молодцы, спасибо за информацию!

[Olena]

Дык, мы же только баб замечаем Все фотки сто раз пересматривали, а на этого папенька даже внимания не обратили ни разу. А тут вот какой расклад интересненький

[KsuSha]

Ничего не пойму, вот этот товарищ, который делится счастьем, это он?
http://jeffreygreenstein.com/

[Gale]

Рецензия к "Iceman"
http://observer.com/2013/04/the-iceman- ... al-killer/
Интервью с Ариэлем Вроменом
http://wegotthiscovered.com/movies/inte ... en-iceman/

[ok*]

Happy Birthday Nick!
http://www.facebook.com/photo.php?fbid= ... 354&type=1

+ New Hairstyle

[ok*]

Ronnie Madra NEW

[Elenita]

Скажите мне, все друзья Джерри что ли подписанны на М.?
и главное, что они все подписаны на вдовью стр М.!

[Olena]

Скажите мне, все друзья Джерри что ли подписанны на М.?
и главное, что они все подписаны на вдовью стр М.!

Это очередь

[ok*]

Ariel Vromen Interview
http://www.thecredits.org/2013/05/chatt ... el-vromen/

How did you go from law school in England to filmmaking in LA?

I was a child of thirteen when I got my first camera at my Bar Mitzvah. I used to do a lot of short films. I was very attracted to film. But then when I went into the army, an extreme special unit in the Israeli Air Force, it shut down the creativity within me. Going to law school afterwards felt more serious for me. In law school, I started to be exposed to music. I started to work on electronic music and became a DJ, traveling around the world. I partnered with a lot of people and worked on soundtracks. That’s what brought creativity back into my life. After law school, when it was time to practice law, I said, “There’s no way!’ I had to try to do something I always wanted to do in my life. I was almost thirty then, I really started pretty late. That was the journey, from being creative to not being creative to returning to that world. When I came back to film, my interest was not in directing or writing…I was passionate about sound design. I did a short film in 2002 (Jewel of the Sahara), but it wasn’t until the mid-2000s that I became more attracted to directing.

How did you get your foot in the door in such a short time?

You know, it’s about perseverance and hard work and luck. As you get older you adjust yourself faster and, if you’re smart enough, you learn from your mistakes. You understand what you did wrong and what you need to do better, and if you’re focused enough, then you just go for it. There are no set rules or one specific journey. At the end of the day, you have to decide what kind of filmmaker you want to be. That happened to me after trying to direct a couple of features. To make your own film, it’s almost a miracle. The hardest part for many people in show business is to control your ego, especially if the film’s good.

Was law school helpful to you once you entered the film world?

Yes. It puts you into that mode of determination, of researching and understanding the material. It takes a lot of discipline to get up in the morning and work every day until 6 a.m. If you have a deadline, you can’t give up and you can’t be lazy. I wouldn’t say it’s fair, but if you really focus and believe in what you want to get out of it, and you’re putting all your energy into it, then anyone can achieve it. Sometimes it’s just a matter of being in the right place at the right time.

What can we do?

I think it’s a matter of education. Like if someone goes to the supermarket and they want a yogurt and a bottle of wine and they take it and decide to just walk out. You can’t just say it’s wrong. You have to educate people and enforce it. Already the industry is suffering so much. Even though the numbers seem high, they can be deceiving. Someday we won’t be able to make these films.

There are so many countries where piracy has become commonplace, because people don’t get those movies, like in Turkey, Russia, China, Thailand and also Israel, where I’m from. They will even put them [pirated copies] on TV. When I was in Russia in 2007, I saw my film Danika playing on National Russian Television and it was a piracy copy. I hope people will understand that at the end of the day, we are just stealing from ourselves.

[kapelka]

Спасибо! Много подробностей из жизни Ариэльчика.

А Ник мне больше нравится с шевелюрой!