Headhunter's Calling / A Family Man (Охотник с Уолл-стрит)

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https://www.facebook.com/GerardButlerIntl/

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phpBB [video]

A Family Man Movie Trailer Starring Gerard Butler Fan Club Exclusive

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https://twitter.com/gussicinema/status/ ... 1693031425

[Xelna]

[Kika]

обожаю

[korina]

Вредный мужик

[mira]

https://www.instagram.com/p/BRsxv5ZDOWQ/
#tbt to me and this guy! The trailer is out for A Family Man (formerly Headhunter's Calling) This was a really incredible experience. I feel very lucky to have been able to work with @gerardbutler @anupampkher @julia_butters @shellyjohnsonasc @helga_rossi @jenniferhaufler And the rest of the incredible cast and crew!! #TrulyLifeChanging experience! #AFamilyMan #TheHeadhuntersCalling #luckyme #gerardbutler Check out the link in my bio!

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http://www.slashfilm.com/a-family-man-trailer/
‘A Family Man’ Trailer: Gerard Butler Isn’t An Action Hero

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Оператор фильма Шелли Джонсон пишет про съемки фильма.
Такой хороший отзыв о фильме, о работе Джерра, режиссера и вообще, о всей команде .

https://www.instagram.com/p/BR4DVncAHFL/

A Family Man. I shot this film in Toronto under a different title, and the Trailer recently was released. The film comes out in May and features some amazing performances by Gerard Butler, Gretchen Mol, Willem Defoe, Alfred Molina and a future young super-star Max Jenkins @maxwelljenkins8. Such an interesting project with a first-time Director, Mark Williams, who was amazing. The story was so delicately told and Mark had spent an enormous amount of time developing the script. He knew the story very well and was very humble about his knowledge of the camera, and asked for the crew’s help daily. I like it when a first-time Director is this self-aware and doesn’t pretend to know what he thinks he should know. The fact is, he knew more than anybody about what type of story he wanted to tell, and it was our job to keep the communication open and help him to use the camera to translate those thoughts to the screen. Many first-timers might think they are putting themselves in a position of weakness if they approach the crew with such a brutally frank assessment of themselves, but I find it to be quite the opposite. I think a crew can tell if a Director knows his way around a film set, and when that Director puts the crew in a position to help him, they are more than willing to do so. I think in this case, we gained an immense amount of respect for Mark, because he was so knowledgeable about the nuances of the storytelling and the crew was duly respectful of his talents and sensitivity. I’ll write a more in-depth story about this film on my blog… link is in my bio. #afamilyman #theheadhunterscalling #gerardbutler #maxwelljenkins #willemdefoe #gretchenmol #panavision #Technicolor #anamorphic #cinematography

https://shellyjohnsonasc.com/2017/03/12/a-family-man/
Shelly Johnson, ASC

A Family Man
Directed by Mark Williams, this is an exceptionally well written script by Bill Dubuque. The story largely takes place in the competitive world the boiler-room office and a father who is detached from his family must find a way to connect with his son when he’s faced with illness. The son has an interest in Chicago architecture and teaches his father about appreciating the simple beautiful things that are right in front of him. Gerard Butler plays the lead roll and was very excited to star in this very delicately written piece. I always enjoy seeing an actor take a chance and work outside their safety zones. For me, I try to take the camera on a similar journey in these cases… Work outside my safety zone as well and create a united front between the director, actors and myself so that they can feel safe and supported and have some faith that the camera will be there for them when they need it. It must be tough for these actors to challenge themselves like this and I try to constantly monitor what they might be needing so that the crew can help them. In addition, first time director (but quite experienced producer) Mark Williams had an intimate understanding of the material and since the characters all go through massive changes in the telling of the story, was enormously helpful in establishing the faceted arc for the narrative. Personally, I’d swear he’s done 10 films. He’s a natural. Ultimately this film is about understanding people and how the right thing is often not the easiest thing, and I think this same idea is what we strived for in the spirit in the cinematography as well.

Here’s a short frame for you. The great actor Alfred Molina eavesdrops on a telephone conversation and we wanted to really push his sense of despair, so we decided to push the anamorphic framing a bit. Interestingly, this shot was made on our first day of shooting. I think that when you push a frame like this early in the production process, you almost give the crew permission to think a bit outside the box and it fosters a spirit knowing their own suggestions can be a little more extreme. After we made this shot, I noticed Operator Michael Carella really click-in and search for opportunities where his framing would add layers to the storytelling. First AC Barrett Axford did similar things with his expressive focus-pulling that followed the meaning of the dialogue… And not necessarily the words. A film set is busy and distracting and it’s wonderful to have crew that thinks about story. In addition, our gaffer, Mike Hall and key grip Rico Emmerson were constantly finding creative solutions to technical challenges. Often when hiring a crew on location, I consider the personalities and group dynamic and try very hard to pair the right personalities with the specific project. So much of this is a gut call, since I’m often the stranger in these cases and know nothing of these people. I was very happy with how hard this crew worked on this project and helped Mark and Gerard through the process of making this film.

[Xelna]

Спасибо за хорошие новости Ждем продолжения - I’ll write a more in-depth story about this film on my blog… link is in my bio.